Next at the Kennedy Center

Pop icon, multi-faceted artist and activist Sara Bareilles is joined by trailblazing power-tenor Rufus Wainwright and the National Symphony Orchestra to perform critically acclaimed musical theater super-hit “She Used to Be Mine” at the Kennedy Center’s sold-out Concert Hall.

Pop icon, multi-faceted artist, and activist Sara Bareilles brings an unforgettable performance of her Grammy™-nominated Song of the Year “Love Song” accompanied by the National Symphony Orchestra to the Kennedy Center’s sold-out Concert Hall.

In this excerpt from Alonzo King’s LINES Ballet "Deep River," Babatunji delivers a captivating solo to the heartfelt spiritual “Lift Every Voice,” accompanied by the powerful vocals of Lisa Fischer and Jason Moran on the piano.

In this excerpt from Alonzo King LINES Ballet's "Deep River," Adji Cissoko and Shuaib Elhassan deliver a poignant duet, "River Pas de Deux," surrounded by their fellow dancers who watch with reverent attention. As they twist and turn in sync with slow, sorrowful notes,

Silvana Estrada performs Susana Baca’s “Negra Presuntuosa” with Grammy Award-winning band Snarky Puppy. Joined on stage by Gaby Moreno, Silvia Pérez Cruz, and Fuensanta, these dynamic artists bring the audience to their feet during a sold out show at the Kennedy Center’s Concert Hall honoring Afro-Peruvian icon Susana

Gaby Moreno performs her hit song “El Mayoral” with Grammy Award-winning band Snarky Puppy. Backed by Silvana Estrada, Silvia Pérez Cruz, and Fuensanta, these dynamic artists bring the audience to their feet during a sold out show at the Kennedy Center’s Concert Hall honoring Afro-Peruvian icon Susana Baca’s

Feeling motivated in the days following the murder of George Floyd, Joshua Redman wrote "After Minneapolis." It's his first song ever to be consciously connected to a moment in his life and his first with lyrics. He is joined on stage for this performance by an

Joshua Redman and his ensemble give an entirely new interpretation of Bruce Springsteen's "Streets of Philadelphia." Led by Redman's longing sax and Cavassa's haunting voice, the band takes us into the life of a person's struggle to persevere in the

The Mingus Big Band performs "Fables of Faubus" with guest artist Charles McPherson on saxophone. Known as one of his most explicitly political works, "Fables of Faubus" was written by Charles Mingus as a protest against the segregationist governor of Arkansas, Orval E. Faubus.

Christian McBride, Larry Klein, James Newton, Keki Mingus, Jason Moran, and Charles McPherson discuss the complexity of Charles Mingus, from his outsized personality to his close friendship with jazz saxophonist Eric Dolphy. Performed by the Mingus Big Band, “So Long Eric” is Mingus’ response to his longtime friend and band

Jason Moran, James Newton, Robert Glasper, Charles McPherson, and Chief Xian aTunde Adjuah discuss Charles Mingus’ touching tribute to jazz saxophonist Lester Young with “Goodbye Pork Pie Hat,” featuring a performance by Jason Moran and Georgia Anne Muldrow.

Hip Hop Culture legends The Roots perform "Act Too (Love of My Life)" as part of their unforgettable performance at the Kennedy Center Concert Hall. Black Thought mentors School of Thought attendee EZY Truth. EZY shares how The Roots dedication to the music inspires him.

Hip Hop Culture legends The Roots perform "Proceed" as part of their unforgettable performance at the Kennedy Center Concert Hall. Black Thought and Questlove discuss their reach beyond the stage during their residency at the Kennedy Center. While known for their electrifying live performances, the band endeavors to

After attending Black Thought's mentoring program School of Thought, EZY Truth performs one of his own pieces "Revolutionary Suicide" at the Kennedy Center. Jasmine Martin, from The Roots management team, and EZY talk about the importance of supporting an artist's vision and being "

Dancing at a gala, Eva experiences an overwhelming feeling of shame represented by the appearance of her younger self (Nina Basu). While Little Evita runs around the room admiring everyone, Eva is chasing her younger self in an attempt to get her to leave. When Eva finally forces Little Evita

Eva Perón (Dandara Veiga) teaches Juan Perón (Chris Bloom) to connect with the public through various media channels. She advises him on what to say and do when speaking to the people of Argentina, showing the immense influence Eva has on the powerful Colonel and soon to be president. We

The performers utilize verbal sound throughout the performance. Eva Perón (Dandara Veiga), who created a charitable foundation, proceeds to give shoes to those in need. They put on the shoes and dance in celebration of Eva.

Jason Moran and Christian McBride perform "Toni Morrison said Black is a Rainbow," a song Moran wrote as a tribute to Toni Morrison based on a section of her novel "Song of Solomon." They discuss how Morrison put a lot of effort into finding meaningful and

Liany Mateo and Sequoia "REDWOOD" Snyder perform "Feed the Fire" by the late Geri Allen, a renowned American jazz pianist, composer and educator. The two musicians perform the piece in a studio with Mateo on the bass and Snyder on the piano.

Jason Moran and Christian McBride perform their brief yet heavy version of "What a Wonderful World" by Bob Thiele and George David Weiss. This performance, on the Kennedy Center stage, features Moran on the piano and McBride on the bass.

Bilal performs “All Matter” with Robert Glasper and the Black Radio Orchestra. Robert Glasper, five-time Grammy Award-winning pianist, composer, and producer, invites his tightly knit community of collaborators to celebrate the 10th anniversary of his iconic, award-winning, and cross-genre revolutionary album — Black Radio.

Lalah Hathaway performs “Cherish the Day” with Robert Glasper and the Black Radio Orchestra. Robert Glasper, five-time Grammy Award-winning pianist, composer, and producer, invites his tightly knit community of collaborators to celebrate the 10th anniversary of his iconic, award-winning, and cross-genre revolutionary album — Black Radio.

Meshell Ndegeocello and Kyle Abraham perform “The Consequences of Jealousy” with Robert Glasper and the Black Radio Orchestra. Robert Glasper, five-time Grammy Award-winning pianist, composer, and producer, invites his tightly knit community of collaborators to celebrate the 10th anniversary of his iconic, award-winning, and cross-genre revolutionary album — Black Radio.

In a unique blend of folk, blues, and gospel, R&B artist Martha Redbone performs "Garden of Love" on the Kennedy Center’s Rooftop Terrace in a tribute to her African American and Indigenous roots.

Through one of the oldest native dances, Grammy Award-winner and two-spirit performance artist Ty Defoe performs “Hoop Dance” on the Kennedy Center Reach grounds in a celebration of life’s interconnectedness.

Electronic music pioneers The Halluci Nation perform “Stadium Pow Wow," "Maima Koopi" and "Sharpshooter” in the Kennedy Center’s Skylight Pavilion. The duo, Ehrin “Bear Witness” Thomas and Tim “2oolman” Hill pay homage to the energy and momentum of Ottawa’s Electric Pow Wow gatherings while

"The Color Purple" co-stars Cynthia Erivo and Joaquina Kalukango perform the Hip Hop Trio Fugees’ funky rendition of "Killing Me Softly." The global hit steeped in unrequited love is told by two friends, whose friendship can be felt through the screen.

Through a powerhouse performance of Prince’s chart-topping hit, "Nothing Compares 2 U," Cynthia Erivo enters the New Year in unforgettable style. Filling every note with soul, Erivo shares her heart with the audience through this timeless tale of love.

Jazz artist, Laufey, joins the National Symphony Orchestra to perform a refreshing rendition of her piece "From the Start." Laufey’s vocal and instrumental skills take over the stage while the orchestra kicks off the contemporary jazz tone that provides a new sentiment and meaning for listeners.

Laufey, dodie, and Jacob Collier deliver the ode, "Wild Mountain Thyme," combining their talents in a fascinating musicality blend. The artists stun in their solos as well as their melodic intertwining, with Collier encouraging the audience to engage in a fun twist of events.